The Lowdown - Season 1 Soundtrack: Every Song

The Lowdown Official Trailer Ethan Hawke, Kyle MacLachlan, Keith David FX Music

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Lee pulls into the parking lot of Hoot Owl Books and steps out to scope out the joint. After getting a feel for the place, he heads inside and makes his way up to his bedroom.

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Lee is seen walking away from a food truck with a meal, his gaze fixed on his ex-wife Samantha dining at a nearby restaurant.

Lee behind the wheel of his trusty white van, as a seamless transition unfolds. He takes his daughter Francis on a trip to the Tulsa Stockyards for some quality bonding time.

Lee finds themselves in a compromising position as they're taken by the duo of Blackie (Eric Edelstein) and Berta. The scene shifts gears as Blackie and Berta convene with Allen setting the stage for what's to come.

Lee discusses a $1,500 finder's fee with an acquaintance before meeting up with Cyrus in what appears to be a tense conversation. The Lowdown music plays throughout the transition sequence, setting the mood for their encounter.

After making his escape, Lee takes to the road behind the wheel, still reeling from his recent trunk-jumping adventure. He wraps up a phone chat with Samantha before The Lowdown kicks in as the episode comes to a close. The credits roll as this indie rock tune sets the tone for the final moments of the show.

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As Lee wraps up her chat with Allen at Hoot Owl Books, the laid-back vibe is set by the tune playing through the store's speakers. The soothing sounds of The Lowdown linger as the episode comes to a close and the credits roll.

The opening montage shows Allen meticulously cleaning his gun before cutting to him browsing through the shelves at a local bookstore. The quick cut effectively sets the tone for the story, introducing us to Allen's solitary routine.

Lee tracks down Ray to an Tulsa antiques mall and confronts him about the missing Jim Thompson first editions. Ray points fingers at shady dealer Catalina Estragon, who's currently based out of Lake Keystone, and Lee is hot on her trail next.

Lee tells Frances to hang back at the restaurant with Ray while he sneaks onto Catalina's houseboat, masquerading as a Fish & Wildlife officer. This move sets the stage for some undercover shenanigans.

In a tense moment on the docks, Agent gets caught off guard and quickly subdued by Catalina's poaching crew. The sudden turn of events sets the stage for Agent's capture.

At Sal's, Frances tries to relax with Ray before growing increasingly anxious. She sneaks away to the dock and attempts to calm her nerves by chatting with Catalina, all while discreetly scanning the shelves for any clues in Jim Thompson's crime novels.

Lee is taken to meet Marlon's operation, where he's shocked to discover that paddlefish roe is being masqueraded as expensive beluga caviar. The boss sizes him up, eyeing him with suspicion and curiosity.

Lee reveals his true intentions, admitting that he's after the valuable books. The poachers react by spewing vitriolic rhetoric about class warfare, using coded language like "beluga" to gauge Lee's commitment to their cause, a mixture of intimidation and gamesmanship.

Lee assists Marlon in crafting an elaborate apology letter to Catalina, and also reunites with Frances. Meanwhile, the books that were previously causing chaos are suddenly no longer an issue due to Frances earlier efforts to secure the important letters.

Ending Closing Credits Music

In this opening sequence, Dale's narrative takes us on a journey through his troubled past in the Osage Hills, exploring the complicated family dynamics that shaped his childhood. This sets the stage for the complex relationships between brothers and the struggles he faced growing up, influencing the person he became.

Lee and Francis dig deep into Dale's music at a local hangout, with curious onlookers gathered around. It's shaping up to be a long night as the investigation continues without breaks.

At the bookstore, a mysterious figure tries to sell Lee a sketch of Dale, but things quickly take a turn when Lee is warned he has unwanted visitors on their way.

In a bustling diner, Donald is in the midst of shaking hands with supporters while simultaneously worrying to his colleague "Chubs" about the fallout from his dealings with Betty Jo just weeks ahead of the election. The stakes are high as the candidate's reputation hangs in the balance.

Lee takes Betty Jo to a diner where their conversation turns heated as she tears apart his elitist article. They clash over issues of class, appearance, and what's real versus what's fake. Despite their differences, they eventually build a begrudging understanding.

Lee and Betty Jo grab a booth and catch up over coffee. The warm glow of the chrome fixtures and the soft hum of conversation in the background create a comfortable atmosphere as they reminisce about old times.

As Lee's personal struggles come to a head, the background din of sentimental tunes heightens, and his conversation with others slowly devolves into an honest, unguarded exchange. The tension is palpable as he opens up about his inner turmoil.

Lee vents to his friends about his recent breakup, specifically taking issue with his ex's new engagement to her dentist boyfriend - not exactly the most thrilling news.

Betty Jo cautions Lee against idealizing his past relationship, warning him that nostalgia can be blinding. She urges him to stay grounded and not put his ex on a pedestal, instead encouraging him to learn from the experience and move forward.

Betty Jo surprises Lee at her home by whipping out Dale's gun, but things take an awkward turn when the weapon misfires. The sudden interruption sets off alarm bells, prompting Lee to dig deeper into Dale's mysterious demise.

As Lee drives to the bookstore, she tunes into the radio and catches the shocking news of Allen Murphy's brutal murder. Meanwhile, at home, Deidra is unimpressed by a wellness retreat promo when her friend Wendell drops by unexpectedly.

Lee gets taken away by police while trying to talk to Pearl. The officers forcefully grab him and haul him off, ignoring his protests, as if he's just another unwanted guest at some out-of-control rave.

Marty and his date catch up over pie at a diner, discussing his stressful job working with Donald Washberg, a match made tricky by their vastly different ideologies.

Lee and Wendell pay tribute to their late friend Jesus by performing an annual tradition, burning books in an abandoned lot. The act is a somber reminder of their shared past with Jesus, who has since passed away.

At a ceremony, Lee and Wendell open up about their past mistakes while reading from Joe Brainard's work by the campfire. It's an intimate moment of vulnerability and reflection.

Sipping coffee and surrounded by the bustle of the cafe, Marty settles in to do some serious research on his laptop. As he types away, the sounds of clinking cups and muffled chatter provide a gentle hum in the background.

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Lee and Samantha hang out in Lee's cozy apartment, jamming out to vinyl records together. The pair is surrounded by stacks of albums, the soft glow of the record player casting a warm ambiance over their relaxed vibes.

As Lee and Samantha sit together, they flash back to their child and share a tender moment, playing the song "Magnolia" in the background. The mood turns romantic as they exchange a kiss, but it's short-lived, Samantha suddenly feels dizzy and stops herself, revealing that she's actually ended her engagement with Johnny.

Lee shows up to the Indian Center with his new suede coat on, and Deidra by his side. As they enter, an elder takes notice of Lee's stylish new jacket and gives him a nod of approval.

Lee gets the surprise news from Deidra that she's tracked down Chutto to the Whispering Pines apartments. However, she makes it clear she's not coming with Lee to confront him - she's out.

Ending Credits Music

Lee walks into the office and approaches Elijah, setting the stage for what promises to be a meaningful encounter.

In a gritty bar, Frank Martin and Betty Jo have a high-stakes showdown over a bag of cash. The air is thick with tension as they negotiate the contents of the mysterious package.

Betty Jo spills the beans to Frank, revealing where the will is hidden and admitting she played Lee like a fiddle to get the intel.

Lee turns to Cyrus for help finding a land lawyer. Cyrus obliges, rattling off a list of lawyers he knows and even offering to make an introduction to one of them, a personal connection that could give Lee an edge in his search.

Lee confesses to Cyrus that he misplaced the gun he was initially given. In response, Cyrus hands over a brand-new, fully-loaded firearm. The exchange raises questions about trust and reliability in their tumultuous relationship.

Closing Credits Music

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